Conoce el Catálogo de Celulares, Línea Blanca, Pantallas, Laptops, Videojuegos y Hogar. ¡Compra en Walmart en Línea y Aprovecha Precios Bajos, Meses Sin Intereses y Promociones The Sony 16-35mm f/2.8 GM provides excellent image quality across most of the frame wide open at f/2.8 which is where most will use this lens for astrophotography. When shooting astrophotography, we like to judge a lens less specifically for its overall sharpness and more for its corner aberration and coma performance 4. Sony FE 24-70mm f/2.8 GM. 5. Sony E 16mm f/2.8. 6. Sony E 35mm f/1.8 OSS. To give you a good selection, we have selected the best Sony lenses for astrophotography to suit a range of Sony cameras. Remember that Sony lenses are broken into two main categories - A Mount, and E mount Sony a7R III Sony FE 16-35mm F2.8 Sony FE 85mm F1.8 Sony FE 70-200 F4 Sony FE 100-400mm F4.5-5.6 +2 more Reply Reply with quote Reply to thread Complai
This is a 100% crop from each lens. The two Sony GM lenses had a similar look and surprisingly I thought the Sony 16-35 GM was the sharpest of the three. Astrophotography was the one area I was really hoping for an improvement with the Sony 16-35 GM lens. I finally had a clear night to test both lenses at 24mm, 15 seconds, and f/2.8 In this article we are going to cover Sony wide angle lenses for Astrophotography with the help of Jason Vong and Stan Moniz. Sony FE 16-35mm f/2.8 GM Lens @ Sony E 16mm f/2.8 Pancake Lens @.
This Sony 16mm f/2.8 is a tiny, low priced lens with performance to match. It sees the same angle of view on APS-C cameras as a 24mm lens sees on full frame. This lens isn't much bigger than a body cap. It's probably the lightest lens I've tested, at just 2.3 oz./65g, because it's both tiny and made mostly out of plastic, with aluminum exterior. This is set of images zooming in starting at 12mm and progressing forward through your typical prime focal lengths used in astrophotography ending on the long end of 24mm. 12mm / 16mm / 18mm / 20mm / 24mm. The Sony GM 12-24mm F2.8 is definitely a well rounded lens and is extremely suited for everyday astrophotography use The Rokinon 14mm F/2.8 is a manual, wide-angle camera lens that comes in Canon, Nikon and Sony mounting options. The aperture of this lens (F/2.8) is a handy feature for those looking to capture astrophotography images of the Milky Way. The 115-degree field of view can only be utilized will a full-frame camera, but I have found it to be. Sigma 16mm f1.4 - Best crop sensor lens for Astrophotography.Today I quickly show you the Sigma 16mm f1.4 for astrophotography. I was really impressed with t..
#tamron20mm2.8 #tamron20mm #testWe did a quick test with the new Tamron 20mm 2.8 lens for Sony E mount. there are video and photo samples and all of the imag.. As we touched on earlier in the article, the Sony 16mm f/2.8 is a fixed focal length, 16mm prime lens with a great wide angle of vide making it perfect for landscape work or any other wide-angle photographer or videography tasks that you may have for your a6000 The Sony 24mm F2.8 G (700 euros) is a extremely light and compact lens, optimized for landscape and video. Sharpness is excellent wide open even on A7RIV but its performance decrease when aperture is closed , which is counter intuitive for a wide angle lens that will be used in Landscape .78 long/121.5mm) and weighs 1.77lb/805g. The focal length of 8-16mm plus Fuji's crop factor of 1.5x equals a full frame (35mm) equivalent focal range of 12-24mm. What's different here is that while the full frame 12-24mm lenses from Sony, Sigma, and Nikon all have a maximum aperture of F4, this 8-16mm has a.
If and I Say IF (any camera and lens will work my first T2i/1022 lens [16mm]) you are gifted with a Sony A model (first A7S 2014) the 1635 f/4 great start But you will want WIDER so the 1018 f/4. .4 Sony E/Canon EF-M/MFT Bottom Line. The.4 is significantly faster than the Samyang 12mm F2.0, comes with a narrower field of view, but offers autofocus at a fair price. If you are looking for a lens that you can also use for video & multiple purposes, the.4 is going to be a great choice. Build Qualit However, with a constant maximum aperture of f/4, it isn't suited to astrophotography. Step forward the Sony FE 12-24mm f/2.8 G Master. Boasting a diagonal coverage up to an incredible 122 degrees, while also delivering a fast and constant f/2.8 aperture, this combination makes it the world's fastest lens in its class Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. The main advantages of this lens compared to the Sigma are its extremely compact construction and a very affordable price point Sony E 16mm F/2.8 Lens on Nex-C3 Sample Photos. I took an ton of sample photos over the years with the E 16mm f/2.8 Lens, so be sure to scroll thru and click on the ones that peak your interest for a much larger view.. Lab Testing. I took these lab test photos a while back, so the lab scene has changed drastically over the years, however it still does the trick
Wide angle lens for Sony E - posted in Equipment: Hello, Im looking for a budget good wide angle lens which i would use mostly for astrophotography but also some landscape. It can be a fully manual lens. I know there is Sigma 16mm f1.4 but from what i remember it has a quite bad CA, I also owned the Samyang/Rokkinon 12mm f/2 but the stars had really weird shapes Usually. The new Sony 14mm f/1.8 G-Master lens is trying to go where almost no lens has gone before. The company claims the use cases of its 14mm GM ranges from astrophotography, architecture, and. The Rokinon 14mm f/2.8 is $339, the iOptron SkyTracker Pro is $299, and the combination comes out to just $638, which is less than half the price of the Sigma 14mm f/1.8, which costs $1,599 If you are more of a landscape shooter the Tokina 11-16 f/2.8 II may be better for you, but if you ever plan to get into stars then go with the Samyang 16mm f/2. Both lenses offer similar IQ stopped down but the Samyang is sharper to the corners, especially wide open, and offers lower coma and will even save you a good amount of money The fastest 16mm zoom lens is the much more expensive Canon 16mm-35mm f/2.8L II USM which is a stop slower and more than four times as expensive at $1,700. Astrophotography test results for these two zoom lenses (the least and most expensive) can be found here: Canon 18mm-55mm f/3.5-5.6 EF-S AF IS kit zoom lens; Canon 16mm-35mm f/2.8L II USM.
The Sony FE 24mm f/1.4 G Master is incredible for Astrophotography.Available from B&H https://goo.gl/HjL1KcThis weekend I was invited to Sedona, AZ for a Son.. Zoom Lens - Sony 28-75mm f/2.8; Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6; Fisheye Lens - Sony 16mm f/2.8; Macro Lens - Sony 100mm f/2.8 Macro; Below, the best Sony lenses are separated by type of photography. There are additional selections ranging in price Two wide-angle primes Sony APS-C E-mount users will be familiar with are the Sigma 19mm f/2.8 DN Art and the Sony E 20mm f/2.8. Both offer an angle of view that isn't far off the 28mm equivalent, making them a popular choice amongst photographers who mostly shoot street with wide angle lenses, as well as those who enjoy landscape and cityscapes The Sigma 16mm f/1.4 DC DN Contemporary is about as fast as it can reasonably get without running into a cost trap especially considering the rather wide-angle of view - equivalent to a 24mm full format lens. Performance-wise it is pretty good but it has a couple of weak spots, too. At maximum aperture, the center resolution is very decent. Zoom Lens - Sony 28-75mm f/2.8; Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6; Fisheye Lens - Sony 16mm f/2.8; Macro Lens - Sony 100mm f/2.8 Macro; Below, the best Sony lenses are separated by focal length. Also covered are alternative alternatives spanning a range of prices
Sigma 16mm f/1.4 Review | Conclusion. When it comes to a fast aperture wide angle prime for Sony (or Canon) APS-C mirrorless cameras, the Sigma 16mm f/1.4 is unmatched. It has tremendous quality and performance in a very affordable package. I appreciated feeling like I never sacrificed quality or durability because I opted to get a less. It has strong vignetting at F/2.0, but improves at F/2.8. Overall, it has excellent performance for a $400 lens. Other Thoughts: I set the C2 button on my A6000 to magnify so that it's easy to focus. It feels well balanced and is only a little heavier than the Sony E 50mm F/1.8. This lens is very aesthetic and looks even better on a black camera What is the difference between Sony E 16mm F2.8 and Sigma 19mm F2.8 DN A? Find out which is better and their overall performance in the mirrorless camera lens ranking 14mm. 16mm. A longer maximum focal length allows you to focus in on a small part of a scene, and offers a narrower angle of view than shorter focal lengths. 5.Includes lens hood. Samyang 14mm F/2.8 ED AS IF UMC. Samyang 16mm F/2.0 ED AS UMC CS. It comes with a lens hood so that you don't have to buy it separately Not only because of my experience with other Sony FE lenses, but because the filter diameter is 72mm. While Canon's wide angle lenses tend to be 77mm or 82mm in diameter, the size of the 16-35 f/4 FE lens offered the potential to use filters even at the widest mm offering, 16mm. Sony a7r w/ 16-35 f/4 FE + the Formatt Hitech 105mm Circular.
Introduction Tamron 17-28mm 2.8 Di III RXD on Sony A7rII. Tamron's first E-mount lens was the 28-75mm 2.8. Compared to the 24-70mm 2.8 lenses Tamron decided to give up a bit of zoom range to realize an affordable and compact yet fast standard zoom 1.1 Introduction. The Samyang 12mm f2 AF (400 euros) is the new version of the Samyang 12mm F2 NCS CS (300 euros) with the same optical formula but with AF and a better coating. This is a good news as the old version was one of the best 12mm available for Sony E mount. Size is pretty similar but the new AF lens exhibits a much more modern design
1.2 Sony 12-24mm F2.8 GM & Sigma 14-24 F2.8 DG DN Art. The Sony 12-24mm F2.8 GM (3300 euros) is an excellent performer with very low distorsion, superb sharpness and contrast : you can consult my test of it here. The Sigma 14-24mm F2.8 DG DN Art (1529 euros) is offering very good performance for the at half the price of the Sony (you can consult my test here with a comparison with the Sony 12. .8 is the typical wide-angle lens, which suffers from barrel distortion. Basically, the wide-angle lens means, that the glass requires a more intensive curve for projecting onto the camera sensor. This is essential for covering a wide field of view The Fujifilm 16mm f/2.8 is a great little lens because it's all-metal, inexpensive, compact, extremely well made with engraved markings and of course it's super sharp. If you want a fixed lens that sees the same angle-of-view on Fujifilm's APS-C X-mount cameras as a 24mm wide-angle sees on full-frame, this is it
Introduction Sony A7rII with Laowa 12mm 2.8 Zero-D and Sigma MC-11 adapter. It is a very interesting time for wide angle junkies like me: after the smallish Voigtlander 10mm 5.6 and 15mm 4.5 I now get the chance to review the fast Laowa 12mm 2.8 Zero-D.It is the fastest rectilinear lens wider than 14mm and the widest rectilinear lens as fast as f/2.8 and I am very curious to find out about the. Sony 16mm f/2.8 (Many bad reviews but I never got my hands on one) Sony 10-18mm f/4.0 (I own this lens and it is not very suitable for night photography due to the small aperture) Overall, I am very happy with the Sigma 16mm f/1.4 E-mount lens and am looking forward to use it on my upcoming adventure in Chile Sony FE 100-400mm f/4.5-5.6 GM OSS Lens. Load More. As a leader in the cine world with their camera designs, Sony also features a range of cine-optimized lenses with purpose-built designs for production use. Incorporating technologies such as servo-controlled zoom, Smooth Motion Optics, and integrated manual focus gears, these lenses are. Tamron Announces World's First 17-70mm F2.8 Wide Range 4.1x Standard Zoom Lens with VC For APS-C Mirrorless Cameras. 2020/06/11. Tamron announces the launch of 28-200mm F/2.8-5.6 Di III RXD (Model A071) for Sony E-mount full-frame mirrorless cameras. 2020/9/24. Tamron Announces Launch of 70-300mm for Sony E-mount The Sony E 16-55mm f/2.8 G is the best lens for you if you're after the ultimate image quality. In fact, while it's much more expensive than the previously mentioned Tamron 17-70mm f/2.8, this lens is a better choice for professionals and serious amateurs. Compared to the Tamron lens, it's also 1mm longer on the wide-angle side and has.
In the extreme corner, the oldest Rokinon 14mm f/2.8 ED UMC is a bit soft until f/5.6-8. (On Canon 6D) In the extreme corner, the new Rokinon 14mm f/2.8 AF is a bit sharper than the older lens. (On Canon 6D) In the corner, the Rokinon 14mm f/2.4 SP is sharpest of all. Solid at f/2.8; fantastic at f/4 6 Conclusion. The Samyang 24mm F1.8 AF (500 euros) is an excellent compact and affordable all around 24mm. Of course the Sony 24mm F1.4 GM (1400 euros) does better in term of sharpness but this is at 2.5x the price and will be mainly visible on 42/50/61Mpix cameras
Also, if you want a wider perspective than our 10-24mm recommendation -- and price isn't really a factor -- then the Fuji XF 8-16mm f/2.8 WR is a top-of-the-line landscape lens for your Fuji camera A note all Sony lenses from the original 1635 and 1224 f/4 and new f/2.8's have always been perfect even the APS-C 1018 (1527) on full frame at 12mm. The Sigma 14mm f/1.8 had to be used at 2 or 2. The Samyang 14 mm Ultra Wide-Angle f/2.8 IF ED UMC Lens for Micro 4/3 gives you approximately a 115-degree view with dramatic results when used with a full frame digital camera or 35 mm film camera. On APS-C sized sensors, the angle of view is between 90 degrees and 94 degrees depending on the brand A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light. Sony a6600 * Sigma 16mm f1.4 * Sigma 56mm f1.4 * Sony E 70-350mm f4.5-6.3 G OSS Canon EOS 5D Mark II * Tamron SP 70-300mm F4-5.6 Di VC USD * Canon EF 50mm F1.8 STM f/2.
The focal length is great for architecture, street shooting, and even astrophotography if you don't mind the horrible corners. With the release of the new Fujifilm 16mm f/2.8 lens, there's a small chance Sony could reconsider releasing a second generation. And another reason this is the worst E Mount lens: Sony still sells this in silver-only First, at 16mm the Sony 16-35 f/2.8 GM is an incredibly sharp lenscorner to corner. That being said, at every f/stop things aren't perfectly equal. While f/2.8 looks pretty dang good, the sweet spot for this lens appears to be around f/8 or f/11 as things get noticeably sharper at that point Astrophotography. As an ultra-wide angle with f/2.8, this lens is also great for wide field astrophotography where we want to capture a wide landscape and let in as much light as possible. Product/Portrait. At 35mm, this lens is also great for product photography, or portraits if you can get close to your subjects Sony 16-35mm f/2.8 G Master at 16mm. 300-sec., f/2.8, ISO 1000 iOptron StarTracker Pro: For astrophotography, a star tracker is a game changer. It allows for long exposures at a lower ISO without star trails From what I've seen in a Sony artisan review the astro is actually better on the Rokinon due to better coma performance. I'm in a similar position myself and plan to keep my Rokinon 14mm purely for astro then pickup the 16-35mm f4 for general landscape (way cheaper, smaller, lighter than f2.8)
A good lens for astrophotography get Rokinon 24mm 1.4. For something a little cheaper get the rokinon 14mm 2.8. 1. Share. Report Save. level 1 · 5y. I just bought the Sony 20mm f/2.8 and am in love. It's well worth the upgrade from their 16mm 2.8. I've played around with the 12mm Rokinon and would personally prefer the Sony lens Shot on Sony a7Riii with 24-70mm f2.8 G-Master lens. Settings: 24mm, f/2.8, 25.0 sec, ISO 2000. Hopefully, this gives you a solid base of knowledge for your first astrophotography shoot. I know that some genres of photography feel more intimidating than others, and astro is one of them Personally, since my main wide-angle lens has a maximum aperture of f/2.8, that's my typical aperture for astrophotography. But when I shoot Milky Way pictures with my Nikon 20mm f/1.8 lens instead, I'll use anything from f/1.8 to f/2.2, depending upon the tradeoff I'm willing to make on a given day
The best wide angle lenses for astrophotography 2020. Colorado 2019, Nikon D850 Tamron 15-30 @15mm. When it comes to Astrophotography, the lens can often times end up being more important than the camera. Good lenses allow you to get sharp images at wide apertures, with little chromatic aberration, astigmatisms, or coma FujiFilm for Astrophotography - posted in DSLR, Mirrorless & General-Purpose Digital Camera DSO Imaging: Hello, I am new to AP and astronomy generally and have been dabbling in some prime photography using my old Canon 550 DSLR attached to my Dobsonian SW 200P. My next aim is to start with some wide-field nightscape photography using my new Manfrotto tripod and a good camera I've recently been shooting with several of Sony's high-end lenses paired with their impressive new Alpha-series cameras, the a7r iii and the a7 iii.The lens I'm focusing on here is the Sony FE 16-35mm f/2.8 GM lens.I've also previously posted quite a few sample images taken with this lens.. The short version about this lens is that it's an autofocus E-mount lens designed for Sony. Astrophotography FAQs. What is the 500 Rule in Astrophotography? The 500 rule is a way to ensure that stars in a photo don't appear blurred. To apply it to your photography, start with the number 500, then divide it by the focal length at which you intend to shoot - this will give you the shutter speed in seconds Its come down to two cameras at the moment, that being the Sony A6000 and the new Nikon D55000, both with a standard 15 -55 lens. Last night we were able to test the A6000 with a f-2.8 to 5.6 16-55mm and fixed aperture f2:8 30mm lens. The intention is to capture night-sky imagery whilst in Canada, the Aurora and various areas of the night-sky Portrait Lens - Sony 85mm F1.4 ZA CZ. Zoom Lens - Sony 28-75mm f/2.8. Wide Angle Lens - Sony DT 11-18mm f/4.5-5.6. Fisheye Lens - Sony 16mm f/2.8. Macro Lens - Sony 100mm f/2.8 Macro. Below are the best Sony lenses separated by focal length. Also included are alternative alternatives covering a range of costs